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Téléchargement Jameel Noori Nastaleeq FlipFont - v2.0.01-1
Package Name | com.monotype.android.font.aiunf |
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Category | Applications, Communication |
Latest Version | 2.0.01-1 |
Get it On | |
Update | December 07, 2019 (5 years ago) |
Vous avez entendu parler de Jameel Noori Nastaleeq FlipFont - v2.0.01-1, ou WhatStat : WhatsApp Online Tracker, UC Browser (MOD, Many Features) MOD APK,
WhatsApp Messenger v2.21.18.9 MOD APK (Many Features)
MOD APK, Temporary Numbers - Receive Sms Free Phone Numbers, X Plus, Zalo - Video Call, l'un des Applications plus cool de la catégorie Communication.
Et bien sûr, vous savez que tous les jeux ou applications ne sont pas compatibles pour tous les téléphones. Le jeu ou l'application n'est parfois pas disponible sur votre appareil, cela dépend de la version du système. Système d'exploitation Android, résolution d'écran ou pays auxquels Google Play autorise l'accès. C'est pourquoi APKPanda fournit des fichiers APK Android que vous pouvez télécharger et ne respecte pas ces restrictions.>
Jameel Noori Nastaleeq FlipFont - v2.0.01-1 la dernière version est le 2.0.01-1, la date de sortie 2017-05-31 et la taille 14.8 MB.Développé par Khurram Baig, Jameel Noori Nastaleeq FlipFont - v2.0.01-1 nécessite au moins la version Android Android 2.2+. Par conséquent, vous devez mettre à jour votre téléphone si nécessaire.
Assez chargé, environ 1000 téléchargements. Vous pouvez mettre à jour les applications qui ont été téléchargées ou installées individuellement sur votre appareil Android si vous le souhaitez. La mise à jour de vos applications vous donne l'autorisation d'accéder aux dernières fonctionnalités et d'améliorer la sécurité et la stabilité des applications.
Nastaʿlīq (Persian: نستعلیق, from نسخ Naskh and تعلیق Taʿlīq) is one of the main calligraphic hands used in writing the Persian script, and traditionally the predominant style in Persian calligraphy.[1] It was developed in Iran in the 14th and 15th centuries.[2] It is sometimes used to write Arabic-language text (where it is known as Taʿliq[citation needed] or Persian and is mainly used for titles and headings), but its use has always been more popular in the Persian, Turkic and Urdu sphere of influence. Nastaʿlīq has extensively been (and still is) practised in Iran, Pakistan, India, Afghanistan and other countries for written poetry and as a form of art.A less elaborate version of Nastaʿlīq serves as the preferred style for writing in Kashmiri, Punjabi and Urdu, and it is often used alongside Naskh for Pashto. In Persian it is used for poetry only. Nastaʿlīq was historically used for writing Ottoman Turkish, where it was known as tâlik[3] (not to be confused with a totally different Persian style, also called taʿlīq; to distinguish the two, Ottomans referred to the latter as taʿlīq-i qadim, "old taʿlīq").Nastaʿlīq is the core script of the post-Sassanid Persian writing tradition, and is equally important in the areas under its cultural influence. The languages of Iran (Western Persian, Azeri, Balochi, Kurdi, Luri, etc.), Afghanistan (Dari, Pashto, Uzbek, Turkmen, etc.), Pakistan (Punjabi, Urdu, Kashmiri, Saraiki, etc.), and the Turkic Uyghur language of the Chinese province of Xinjiang, rely on Nastaʿlīq. Under the name taʿliq (lit. “suspending [script]”), it was also beloved by Ottoman calligraphers who developed the Diwani (divanî) and Ruqah (rık’a) styles from it.Nastaʿlīq is amongst the most fluid calligraphy styles for the Arabic alphabet. It has short verticals with no serifs, and long horizontal strokes. It is written using a piece of trimmed reed with a tip of 5–10 mm (0.2–0.4 in), called qalam ("pen", in Arabic and Persian قلم), and carbon ink, named davat. The nib of a qalam can be split in the middle to facilitate ink absorption.Two important forms of Nastaʿlīq panels are Chalipa and Siah-Mashq. A Chalipa ("cross", in Persian) panel usually consists of four diagonal hemistiches (half-lines) of poetry, clearly signifying a moral, ethical or poetic concept. Siah-Mashq ("black drill") panels, however, communicate via composition and form, rather than content. In Siah-Mashq, repeating a few letters or words (sometimes even one) virtually inks the whole panel. The content is thus of less significance and not clearly accessible.For more detail:https://en.wikipedia.org/wiki/Nasta%CA%BFl%C4%ABq_script
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